Order:
  1.  17
    A Look and a Nod: Merleau-Ponty, Shakespeare, Heaney, and the Mediation of Form.Arthur A. Brown - 2018 - Philosophy and Literature 42 (2):311-322.
    The painter "takes his body with him."Nevertheless, Renoir was looking at the sea.Close! stand close to me, Starbuck; let me look into a human eye.The painter takes his body with him—he looks at what he sees and what he sees looks back at him. Perception takes place in the exchange, in time and in the world, not only between people or between living things but also between "subject" and "object," between perceiver and perceived. In this exchange that Maurice Merleau-Ponty calls (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  2.  45
    Gen-, SHAkeSPeAre, Heidegger, And THe nATUre of MorTAL Being.Arthur A. Brown - 2013 - Philosophy and Literature 37 (1):36-52.
    According to Heidegger, "mortals live in the speaking of language"—to respond genuinely to language is to bring human being into existence. The Indo-European root gen -, meaning "to beget"—with derivatives including "kin," "kind," "king," "generation," "gentle," "gender," "native," "nation," and "nature"—is an index to two central questions in Shakespeare's plays: "Are human beings, by nature, kind?" and "Are the gods kind?" King Lear finds himself in a world of gen - topsy-turvy. His response to language and to the absent gods (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark